Stationery review (2025/12)


by Adelaide Song on 2025-12-16.
[stationery]

My daily driver notebook

For all my fuss about pens, there’s an entire other half of the saying “pen and paper.” This was probably the most egregious oversight in my original post; in truth, though, it’s not something I really care that much about. My pens are broadly separated into workhorses and hangar queens, and my workhorses are specifically chosen to write reliably on almost any paper-like object.

A few months ago, however, I committed to (almost) daily journaling, and I can justify being more picky about a book that’s going to see that much use. While I have and love my Traveller’s Notebook, its expensive refills and awkwardly long profile put it firmly in the special occasion category of journaling. Enter the humble A6 MD Paper notebook.

My MD paper notebook + Black x Clear Blue Original Size Hobonichi Techo cover. Drawing was done in 0.5mm Uni Pin fineliner; writing was done in Pilot Iroshizuku ink.

I gravitated to this notebook for a few reasons:

I’ve flagged that I’m not super fussed about the specific qualities of paper as a rule, but I have no complaints about Midori’s work. My Vanishing Point has never feathered or bled through all the way through to the other, although writing from both my VP and my rollerballs is still faintly visible on the flipside of the page. It even takes heavy inking/crosshatching from a fineliner without ever feeling waterlogged or in danger of tearing.

My new daily driver pen

Back in July I mentioned the Pilot Hi-Tecpoint as my go-to, but that’s ceased to be the case for a while. The ink started fading, then cutting out altogether, and at that point it went into the trash. Right now, I’m currently rocking a Zebra Sarasa Grand body and a Pilot Energel 0.7mm refill.

The Zebra Sarasa Grand body in dark blue. Samples of the Energel refill abound and won't have a risk of leaking sensitive information, so go find 'em yourself.

The body is well-constructed enough to survive so, so, so many stupid drops without suffering obvious dink and dunk marks. It’s weighted correctly for my hand, by which I mean it feels good to twirl, and the spring is so strong it successfully stops me from clicking it with my teeth as a fidget response.

Halfway through the original Sarasa blue-black refill also choked on its own vomit and died. I tried every trick in the book to resuscitate it—blowing, shaking, holding the tip under a lighter—and failed to stop it becoming Code Blue-black instead. It’s a real shame, because the blue-black is one of the prettiest colors I’ve ever had the pleasure of writing with in person, and an incentive to write on its own. I’m convinced that this was a one-off issue or caused by writing on an extremely poor-quality notebook for long periods of time; however, note-taking waits for no woman, and the Energel is about as unkillable as it gets.

It carried me through much of high school, and I’m pleased to say that it’s one of the only consumer products that hasn’t gotten notably worse in the time between then and now. It writes smooth and dark to a fault; that fault is that occasionally it’ll smudge when I’m writing at full speed, but that’s a rare event for me these days, and even mediocre-quality paper is absorbent enough to prevent it. If for some reason you’ve never bought or shoplifted3 a two-buck Energel, the only thing that should stop you is the fear of ruining ballpoints forever. Seriously, no Parker will ever be as dark as the cheapest gel refill ever—a statement that is the closest I will ever get to espousing biological determinism on this blog.

Footnotes

  1. I love you, Gwen!

  2. If you have incomeful opportunities paying at least $25 AUD/hr before taxes, please email me at ada.laide.song@gmail.com.

  3. This is not an incitement to do so, rather a sad acknowledgment of what many of us would do in our unspent youth. Definitely so sad, definitely warning against it.